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presented by Sandy Hirsch, MS, CCC/SLP
Financial: Sandy Hirsch is the owner of Give Voice in Seattle, Washington. She receives royalties from Plural Publishing (Adler et al., 2019). She also receives payment for teaching and consulting for gender-affirming voice training. Sandy receives compensation from MedBridge for this course.
Nonfinancial: Sandy Hirsch is a contributing author for ASHA’s Voice and Communication Services for Transgender and Gender Diverse Populations page and Georgia Dacakis’s “A History of Voice and Communication Training” in the Speech Pathology With Trans and Gender Diverse People online course at La Trobe University in Melbourne, Australia. She has no competing nonfinancial interests or relationships with regard to the content presented in this course.
Satisfactory completion requirements: All disciplines must complete learning assessments to be awarded credit, no minimum score required unless otherwise specified within the course.
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Sandy Hirsch, MS, CCC/SLP
Sandy Hirsch, MS, CCC/SLP, is a licensed and board-certified speech-language pathologist with over 30 years of experience as a clinician, trainer, and educator. She received her MS in speech-language pathology in 1989 from the University of Washington and holds a BA in French and classics (1981) with a minor in music from Lancaster University in…
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1. What Are Hirsch’s Acoustic Assumptions?
In this chapter, Hirsch will describe the premise for developing an organized resonance approach with TGNC populations.
2. Anecdotal and Evidence-Based Support for Hirsch’s Acoustic Assumptions
In this chapter, Hirsch will delineate the scientific underpinnings of the Acoustic Assumptions.
3. Putting the Pieces Together: Applying the Assumptions to Unique Vocal Goals
In this chapter, Hirsch will give a step-by-step description of the Acoustic Assumptions and how to apply them clinically.
4. Summarizing Hirsch's Acoustic Assumptions: How Wide Is the Application?
This approach can be applied to any language or accent; the vocal is the vocal tract, after all. In this chapter, Hirsch will summarize how the physiological gesture gives rise to the acoustic output every single time.
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